‘Catch Me A Killer’ with episodes edited by Claire Pringle BFE and Nigel Bunyan BFE, has been nominated for 6 awards at the South African Film and Television Awards including Best TV Drama.
Congratulations to the team!
The BFI Flare line up has been announced featuring the craft of our brilliant clients.
‘Everytime I See A Yellow Car’ lensed by DOP Olamide Shoyinka.
‘TumTum’ with Hair and Makeup Design by Regina Meessen and Production Design by Giorgia Lee Joseph.
‘Dreamers’ with Hair and Makeup Designed by Regina Meessen and 1st AD Steven O.Eniraiyetan.
We’re proud to welcome Cinematographer Johanna Coelho to the Loop Talent roster for co-rep.
Johanna is the sole cinematographer on Seasons 1 and 2 of HBO Max’s highly anticipated medical drama The Pitt, the multi award winning real-time series where each episode captures a single hour of the same 15-hour ER shift. Shooting across fully realised 360-degree sets, Johanna crafted an immersive handheld visual language that places the audience directly inside the emotional intensity of the hospital environment. With HBO Max launching in the UK on 26 March 2026, UK audiences will soon experience her incredible work on the series.
Previously, Johanna worked across Seasons 2 and 4 of ABC’s The Rookie and has collaborated with leading platforms and studios including Netflix, and Hello Sunshine. Her feature credits include Séance, which premiered at the Newport Beach Film Festival, and All Happy Families, which premiered at the Chicago International Film Festival ahead of its US theatrical release.
Johanna was named by Variety as one of the Up Next generation of filmmakers, recognising her as a distinctive voice in cinematography.
Born and raised in France and a graduate of the American Film Institute in Los Angeles, Johanna is excited to explore new global opportunities.
Welcome to the team Johanna.
The programme for the 2026 Berlinale has been announced featuring work from our brilliant clients.
‘Queen At Sea’ with Production Sound Mixer David Giles.
‘Animol’ with 1st AD Steven O. Eniraiyetan.
‘Mint’ with Intimacy Coordinator Georgia Alexandra Johnson.
Leading UK below-the-line Agency Loop Talent expands dedicated Post Production division to support in-demand professionals.
With the UK already a leading figure in post production, management agency Loop Talent has highlighted the need to improve representation for professionals in the sector. The UK post production field remains a global leader in the industry, however the landscape continues to fluctuate following leading post houses shuttering their doors in 2025.
There has never been a more vital time for freelancers within the sector to feel supported, and currently few management agencies focus on the specific needs of Post Production Supervisors and Producers. “The post production sector forms the very backbone of the UK film industry” says Lucy Price, Owner of Loop Talent, “we’re excited to strengthen our client base with new departments across the production pipeline”.
Building upon its established reputation in representing department heads throughout the film and television industry, Loop Talent’s new division continues its recent growth and success while enhancing its current roster. The agency’s representation includes editors, production designers, costume designers, script supervisors, and other below-the-line creative talent, ensuring comprehensive support for productions across all areas.
With a keen understanding of the opportunities in UK post production, Loop Talent is pleased to welcome experienced Post Production Supervisors Sam Lucas and Kiri Degon to its boutique list. Lucy O’Meara, Agent at Loop Talent, highlighted the significance of this expansion, stating, “There has never been a better time for talent to flourish within the post production industry and Loop Talent are keen to be a key part in supporting this next chapter.”
Since its launch in 2020, Loop Talent has established itself as a leading agency, representing heads of department and crew across film, television, commercials, and music promos. The agency remains committed to empowering and developing a diverse roster of creative talent.
We’re delighted to welcome Post Production Supervisor Sam Lucas to the Loop Talent roster. This marks the launch of a new department for Loop, now representing key figures in the world of Post Production Supervision alongside our existing roster of leading talent.
With significant experience in HETV, Sam is a trusted Post Production Supervisor who has overseen post on some of the most notable TV productions in recent years. Currently working on S2 of hit thriller The Crow Girl starring Eve Myles and Katherine Kelly, other recent credits include ‘The Devil’s Hour S1-3’ , the multi-award winning BBC series ‘Sherlock’, ‘Inside Man’ and ‘Breeders’. With a reputation for guiding productions smoothly through the post production process and delivering shows on time, Sam is known for calm and attentive Post Production supervision with a precise and detailed approach.
Contact Lucy O with any enquiries.
The Broadcast Awards winners have been announced and we’re delighted to see projects featuring work by our talented HODs.
‘Crongton’ Costume Designer Lisa Dodsworth.
‘Big Boys’ Costume Designer Rachael Clarke, 1st AD Charlie Elliot.
‘Here We Go’ Costume Designer Rachael Clarke, Intimacy Coordinator Abigail Kessel.
Congratulations to everyone involved!
The 2026 BAFTA nominations have been announced featuring work from our talented HODs.
‘I Swear’ Line Produced by Graeme Mackenzie has received 5 nominations including Best British Film, Original Screenplay and multiple acting nods.
‘Steve’ Production Managed by Adanna Adams has been nominated for Best British Film.
Congratulations to all involved!
Contact our agents for bookings.
Loop Talent represents award-winning Directors of Photography, Production Designers, Editors, Costume Designers, Hair & Make Up Designers, Production Managers, First Assistant Directors and Intimacy Coordinators.
We are thrilled to welcome highly skilled Director of Photography Thomas English to the Loop Talent roster.
Thomas is celebrated for technically ambitious, innovative work across commercials, music videos, and film. He has built an excellent reputation for VP, motion control, and hybrid VFX workflows, alongside dynamic cinematography and high‑end beauty campaigns.
Thomas’s expertise in dynamic movement and transitions has elevated recent commercial campaigns for beauty brand Maybelline, BIC, and Mövenpick. He also thrives on dance driven projects, where he works closely with choreographers to synchronise movement and camera. His work on Biffy Clyro’s ‘Goodbye’ shot in VP using a motion control arm is an example of Thomas’ skill with a motion control arm and VP.
Based in the UK and working globally, Thomas loves to travel for work. Contact Lucy with any enquiries.
The Broadcast Awards shortlist has been announced and we’re delighted to see projects featuring work by our talented HODs.
‘Crongton’ Costume Designer Lisa Dodsworth
‘Horrible Science’ 1st AD Sam Roffey
‘Big Boys’ Costume Designer Rachael Clarke, 1st AD Charlie Elliot
‘Here We Go’ Costume Designer Rachael Clarke, Intimacy Coordinator Abigail Kessel
‘Juice’ Costume Designer Rachael Clarke, 1st AD Mindy Kaur
‘Mr Bigstuff’ Costume Designer Lisa Dodsworth
‘Smoggie Queens’ Intimacy Coordinator Emma Weissensteiner
‘Such Brave Girls’ Costume Designer Sara Hassan
‘Rivals’ Script Supervisor Lowri Rees Owen, Intimacy Coordinator Yarit Dor
‘Malpractice’ Editor Alex Fountain
‘The Lost Music of Auschwitz’ Production Designer Jonathan Paul Green
Congratulations to everyone involved!