Movie Magic Scheduling & Final Draft
Stunts: Wire Work, Fight Choreography, Fire, Underwater & SPACT Performers
VFX: Green/Blue Screen, Crowd Replacement, Macbeth Charts & Grey Balls
SFX: Pyrotechnics, Squibs, Fire, Smoke & Rain Bars, Firearms & Blanks
Experience with Volume Stages (LED Screen & Unreal Engine), Underwater Tanks & Marine Teams, Large Crowds, High Profile Personalities, Period & Hard Period
Vehicles: Low Loader, A-Frame, Car to Car, U-Crane, Boat to Boat, Helicopters & Drones Worked with Babies & Children of all ages, Chaperones and Intimacy Coordinators, Dance Choreographers, Armorers, VFX & SFX Coordinators, Horses and Animals of all sizes, Prosthetics, Stills, Fashion and Live & Multi-Camera Events
I’m constantly inspired by the people I meet and the places in which I end up. Going back to the root, however, I can firmly say it was down to a VHS camcorder, my childhood friends and a burning desire to impress our parents. That was my first foray into realising just how truly collaborative this wonderful medium is and how every element, if respected, can contribute perfectly to a magnificent whole.
When I was a 2nd AD in Commercials I was asked to look after the band Madness for their performance at the Queen’s Diamond Jubilee in 2012. Whilst I have been fortunate enough to have countless unique and remarkable experiences, standing on the roof of Buckingham Palace with Madness as they performed “It Must Be Love” and “Our House” to the Queen & a million spectators on Pall Mall has to be one of the most memorable.